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Trying to kill used games is really dumb

02 Apr

If you’re a gamer, last week saw the emergence of a particularly nasty rumour – that Sony’s next-generation PlayStation will not play used games.

According to Kotaku, which cited inside sources, the next console is code-named Orbis and will be released for the holiday season of 2013. More importantly, the device will lock new games to a PlayStation Network account, thereby rendering them useless to anyone other than the initial buyer.

Sony has a history of trying to lock down its stuff, from copy-protected CDs to proprietary memory cards, which is why many are taking the rumour seriously.

It’s no secret the video game industry hates used games. When chains such as Gamestop/EB Games sell a customer a used game, publishers don’t see a nickel. What makes the studios especially angry is that they spend millions marketing their products, yet the retailers devote more floor space to used games. It’s the free-ride argument, video-game style.

In the United States alone, this costs publishers an estimated $2 billion a year, or more than piracy. It’s no wonder they’re looking to fight back, which they’ve been doing with efforts such as “Project $10,” an early form of what Sony is rumoured to be contemplating. Under this scheme, players get a one-time pass to access the online features of their new game. If they trade that game in, the next owner has to pay $10 for a new pass.

(As a brief aside, I’ve been privately bemoaning the state of video games for a few months before the Orbis rumour surfaced. At the risk of sounding like an old codger, I’ve been pining for the good old days of consoles, where you could simply pop your disc – or cartridge – into the system and be up and running in no time. Now, virtually every single game requires multiple account signs-ins, downloads and system updates. It’s not uncommon for games to take anywhere from five to 45 minutes to start up now. If I wanted to wait around and deal with never-ending updates, I’d play games on a PC.)

Anyway, if Sony’s rumoured plan is true, it could be the company’s dumbest move ever, as the Motley Fool put it. It is likely to lead to only one result, which would be the complete opposite of its intention: less money for Sony.

The scenarios are simple to predict. If Sony were the only console maker to try such a move, it would be blown out of the water as gamers flocked to Microsoft and Nintendo. It’s safe to assume, then, that all three are receiving similar pressures from the big publishers, so if one locks out used games, all of them will.

In that case, let’s do the math. If a gamer buys 10 games a year at $60 a pop and returns each for an average trade-in value of $25, he or she has a total yearly net spend of $450. Now, if that trade-in value is taken away, there are a host of factors – from disposable income levels and fragmented media spending to plain anger at game publishers – that suggest the gamer is likely to buy fewer games. If the same $450 is spent, that’s only seven games a year.

That means one of two things: game publishers will either have to produce fewer games or they’ll have to sell them for less. With budgets on games continuing to escalate, the latter is not an option. It’s therefore hard to imagine any other scenario than fewer games being produced.

Is that a good thing? Perhaps fewer bad games will be made, so that’s good. But more realistically, studios will place even bigger bets on fewer titles. That means less risk, more sequels, less originality. That’s bad. Also, with fewer games made, the effects of failures will be more pronounced. If one big-budget game doesn’t do as well as hoped, studios will close and jobs will be lost. All told, it’s hard to come up with good reasons for why fewer games is good for anyone.

There’s also another pressure factor coming into play: mobile games. Many game makers are finding it more lucrative to quickly design smaller and simpler games for smartphones and tablets on significantly smaller budgets. Such games are naturally sold for much less, usually for only a few dollars a pop, but the potential to sell larger volumes has many developers seeing dollar signs.

Large game studios are dismissive of such games as the “farm leagues” and rightly say they’ll never rival the console experience, but that’s missing the point. Just as the “post-PC” world is fragmenting computing among various devices, so too is a “post-console” world emerging. People may get their gaming fill on the bus home from work and feel a little less inclined to fire up the console when they get home. That inevitably affects console game sales.

Trying to kill off the used game market under any circumstances is ill-advised, because it inevitably hampers overall buying. Given current trends, however, it’s really dumb and potentially suicidal.

The better way for publishers to limit the effects of used game sales is to move further into digital distribution, whether it’s through download services such as Steam or streaming such as OnLive. By eliminating discs altogether, game publishers can kill off both used games and piracy in one fell swoop.

But total digital distribution would require publishers to do two things they’ve thus far been reluctant to do. Firstly, with digital distribution significantly reducing costs – it eliminates packaging, manufacturing and retailer margins – they’d have to pass on those savings to consumers in the form of lower prices; imagine buying the next Call of Duty for $30, rather than $60! Secondly, the studios would have to get involved in demanding better broadband access, both in terms of adoption and usage caps. They need to be able to get their wares to everyone and games are, after all, beasts when it comes to chewing up monthly data.

Given that, it’s no surprise the industry is instead railing against used games. It’s the far easier thing to do.

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3 Comments

Posted by on April 2, 2012 in internet, microsoft, nintendo, sony, video games

 

3 responses to “Trying to kill used games is really dumb

  1. russellmcormond

    April 2, 2012 at 11:41 am

    While dishonest, the largest players in the game industry are consistent. They don’t believe private citizens should own game consoles or copies of games. If they were honest they would be calling what they want to offer unlimited time rentals, and all the laws that protect renters would kick in. People would know what they were paying for, but this is not a very honest industry.

    These are the same folks who were trying to have loopholes added to Canada’s anti-malware legislation, knowing that the dishonest things they wish to do with our computers is largely indistinguishable from other malware/spyware.

    The console and game industry want to receive the amount of money people would be willing to pay to *buy* these things, and yet restrict the rights that an owner would otherwise have. They want to eat their cake and ours too. I only wish this issue were better understood by lawmakers so these dishonest practises could finally be ended. Game companies (console manufacturers and game authors) would then be forced to choose between the higher price available for a purchase, and the after-payment restrictions available from rental and related lower-value agreements.

     
    • Nicholas Gerrier (@DaGimp13)

      April 3, 2012 at 11:51 am

      total concurance. in fact, this is also similair to homeowners assossiations. how often in life do we actually outright purchase something to call our own, because we do own it, and then someone comes along trying to tell you how you can and cannot use it? but in this situation is much worse then that, as it’s like we’re allowing the homebuilders to run that homeowners group, not just telling us which grass we’re allowed to plant, but now which shingles are acceptable, and whether you can use the garage you bought and paid for…it’s pure madness, and no one would stand for it, yet we gamers do when it comes to disc-based games and DLC. look at Mass Effect 3 for instance, while easily a best seller, lots of people are pissed off over the fact you had to purchase the DLC just to gain access to Protheans, which are a major part of the series. its like users had to pay extra to access what was already on the disc, as a YouTube user showed with his PC version of the game by changing a couple lines of code, by changing the values, he accessed the Protheans no problem. so did console users really have to pay to access something already there? no. but did they make them pay anyways? you betcha!

      it’s not that Project$10 from EA & THQ isn’t acceptable, it is. I personally believe that any publisher should be able to profit as well from used game, as it’s still liscensed by them and their developers. I believe $10 is a fair price in doing so, as you can find used games for $20 or less sometimes even, depending on age of the game, but sometimes theres issues with those older games, and gamers quite often expect publishers/developers to help them with the issue. now look at that from their perspective: you just bought a used copy of our game (great, you’re a fan, but a TRUE fan would have supported us financially…whatever) and now it doesnt work? (so you cant support us, but want us to support you? lulz)…it’s completely reasonable to pay that $10 then, as they’ve then seen a cut of the profit, and then have financial resource to be able to assist.

      Where I draw the line as a gamer, and most of us do, is when these console manufactuers decide to attempt to kill off swapped games with friends, used game sales, etc. you know it’s only a matter of time until DLC becomes 100% account locked as well. Sure, currently I can download my DLC and Digital Games on consoles, and share with friends and family, but if they plan to kill off the used games for this next-gen, then most likely you won’t be able to share your content like you can now, example COD maps. so many people download these, and then use other profiles to access the DLC, such as a parent downloading it for their kids, or maybe two roommates sharing a console, etc.

       
  2. Ben Klass

    April 2, 2012 at 1:00 pm

    Have you read Tim Wu’s The Master Switch? The video game industry seems to be following 1930’s Hollywood’s example pretty closely.

     
 
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